Speakers

Latam FEM Lab Bios – English Translation

  1. Ale de la Puente

Ale de la Puente explores notions of time and space through poetic, scientific, philosophical and linguistic approaches. Her interdisciplinary work between art, science and philosophy reflects on everyday experience and on our image of the world. She is a member of the National System of Creators and has received awards such as the Pollock-Krasner Grant and Collide@CERN Ars Electronica, among others. She has taken part in several art and science residencies, including Studio Quantum, Johannesburg Wits University; the Schmidt Ocean Institute aboard the oceanographic research vessel Falkor; and Arts at CERN. She studied industrial design, jewelry and naval construction. She collaborates with scientific institutions such as the UNAM Institute of Astronomy and the Institute of Nuclear Sciences.
https://www.aledelapuenteartist.com/

  1. Amanda Gutiérrez

Artist and scholar specializing in performance, immersive media and acoustic ecology. She studied at SAIC Chicago and is currently pursuing a PhD at Concordia University. Her work has been exhibited internationally and includes soundwalks, virtual reality and video art. She has received grants and residencies from ZKM, FACT Liverpool, TAV and FONCA-Banff. She is part of the World Listening Project and REA México.
https://amandagutierrez.net/esp/

  1. Andrea Robles Jiménez

Holds an MA in Transmedia Arts from Hogeschool Sint Lukas, Brussels. Her animations have received awards and have been exhibited at international festivals and venues. She has been a grantee of Jóvenes Creadores, the National System of Creators and the Rockefeller Foundation in New Media. She has produced commissioned works for Animasivo and Fundación Telefónica. Her practice explores the animated and the installation-based through intimate and unsettling dimensions.
https://www.instagram.com/fantasticoencarnado/

  1. Anni Garza Lau

Transdisciplinary artist and programmer. Her practice unfolds at the intersection of art, science and technology, with a special focus on affective implications and identity construction within contexts of technological surveillance. Her work materializes through speculative design and the creation of organic, electronic and digital interfaces that serve as devices for dialogue between audiences and non-human entities—such as microorganisms and artificial intelligences.

Her work has been selected and presented at FILE (Brazil), ADAF (Greece), Gwangju Digital Arts Festival (South Korea), ISEA International, Transitio_MX, Mutek (Mexico) and Arte Laguna (Italy). She has participated in training programs at Museo Carrillo Gil and Fundación BBVA, and she has been part of the National System of Art Creators and SACPC young creators in Mexico. She currently co-directs the project Ghost Agency with Gro Sarauw (Denmark), supported by the Nordic Culture Fund.
https://annigarzalau.com/

  1. Berenice Olmedo

Artist recognized for her sculptures and kinetic objects integrating prosthetics and orthotics. Her work questions notions of bodily integrity and addresses political dimensions of disability, illness and care. Using medical materials, she challenges ideals of perfection and efficiency, proposing a contemporary physical and existential experience. She has exhibited in major international venues, including Kunsthalle Basel and Museo Tamayo. Her work encourages reflection on bodily variation and existence without stigma.

  1. Cecilia Delgado Masse

Art historian, researcher, curator and cultural manager specializing in critical museology. Her career at UNAM includes founding, designing and coordinating the Arte UNAM platform (2022–2025), a relational, site-based model informed by her leadership at muca-Roma (2016–2021) and her work as associate curator at MUAC. Her interdisciplinary work explores intersections between art, science and pedagogy to foster collaboration and reflection on contemporary issues. She has curated numerous significant exhibitions addressing topics from Mexican visual history to international contemporary art. She currently works as an independent consultant, curator and researcher.
https://linktr.ee/cecilia.dm

  1. Cinthya García Leyva

Researcher and cultural manager whose work focuses on interdisciplinary and intermedial practices. She holds an MA in Comparative Literature and is a doctoral candidate at UNAM. She has presented interventions and talks at museums, universities and venues across the Americas and Europe, and has published essays on sound and experimental poetics. She co-founded and directed content for UNAM’s Art, Science and Technologies Program (ACT), where she now serves on the executive committee. She coordinated the Max Aub Chair in Art and Technology (2017–2020) and hosted the series Islas Resonantes at Radio UNAM for seven years. She recently edited the anthology La materia del sonido (Gris Tormenta, 2025). Since 2020 she has been Director of Casa del Lago UNAM.
https://c-gl.net/

  1. Claudia Arozqueta

Interdisciplinary historian, curator and writer whose work explores connections between art, nature, science and technology. She is the author of Heartbeat Art (MIT Press, 2025), an innovative history of pulse, heartbeat and technoscience in contemporary art and music. She holds a PhD in Art History and Theory from the University of New South Wales (Australia). She has curated exhibitions in the Americas, Europe, Asia and Oceania, and founded Modelab, an artistic initiative on public space, ecologies and experimental historical narratives. Her texts have appeared in Artforum, e-flux Criticism, Leonardo and others. She is a member of Mexico’s National System of Art Creators.
https://claudiaarozqueta.com/

  1. Cynthia Villagómez

Cynthia Patricia Villagómez holds a PhD in Visual Arts and Intermedia from UPV, where she received the Outstanding Dissertation Award for her research on Mexican digital art. Author of nine books and numerous academic articles, she has presented at ISEA (Colombia, South Africa, Korea, Spain, Australia), FEMeeting and multiple international conferences in the Americas and Europe. She has been a research professor at the University of Guanajuato since 2002 and is a Level II member of SNII. She leads the creation of the PhD program in Visual Arts at UG. Her research areas include electronic art, neurodivergence and ancestral roots. She recently completed a second PhD in Aesthetic Theory.
https://www.cynthiavillagomez.com/

  1. Deborah Dorotinsky

Senior researcher at UNAM’s Institute of Aesthetic Research, where she leads the Visual Culture and Gender line. Her work focuses on the history of photography, anthropology and visual culture, particularly in the representation of gender, race and class. She is co-author of Culturas visuales desde América Latina (2022) and editor of Variaciones sobre el cine etnográfico (2018). She is also the author of Viaje de sombras (2013), documenting photographs of the desert and the Lacandon people. She has published widely and is active in interdisciplinary projects and international symposia, contributing critical perspectives from Latin America.
https://www.esteticas.unam.mx/deborah_dorotinsky

  1. Edith Medina

Artist and researcher, pioneer of bioart, biomoda and biological design in Mexico. Her work explores the body as both an organic entity and a social construct, integrating science, technology and biological processes. Founder of Biology Studio, a space linking design, biology and tradition. She received research grants from Centro Multimedia (2010 and 2014) for art and media. Her work focuses on experimentation with biomaterials in art, design and science.
https://biologystudio.com.mx/edith-medina/

  1. Edith Vázquez

Interdisciplinary artist and researcher. Her practice focuses on the study of light from scientific and conceptual perspectives, integrating optics, design and contemporary technologies to develop immersive works that articulate image, space and thought. She is a mentor in the Graduate Program in Arts and Design at FAD, UNAM.
IG: @edithvazquezmx

  1. Eurídice Navarro Villagómez

Communications specialist and creator of choreocinema pieces such as Naturaleza híbrida, Ser Agua, Interfaz, and Piel misterio. She is active in the creation and dissemination of traditional Mexican music and in sound experimentation for performance and video dance. She is a singer and percussionist with Kumku Band and Tyos kuju’uy.

A transdisciplinary artist and performer, she has been part of Bioscénica—cuerpo digital y transdisciplina—since 2018. She participates in art-science outreach projects such as Mosaico genético en México: una mirada desde las artes and Mitocondria: inmersión en el linaje materno. She received the 2022 Ecos Sonoros Award for the project HUMEDAL, aguactivismosonoro.

She has taught contemporary dance, modern dance, biodanza and Mexican dance for 19 years. Her artistic inquiries address environmental conservation, sensitive relations with living environments and the body as a poetic, transboundary and biodegradable ecosystem. She currently researches the creation and activation of biodegradable masks for interventions in natural environments. She directs a conservation project on the Ambystoma mexicanum and on medicinal cannabis.

  1. Eva Hernández

Mexican writer, historian, philosopher, biologist and entrepreneur whose work unites science, art and technology to examine how ideas are formed, modified and shape human experience. She has produced more than 4,800 texts ranging from data science and evolutionary theory to public policy, science fiction and popular science.

In the private sector, she has served as Director of Research, leading sustainability, gender and ESG reporting for Aeroméxico, Danone, Traxión and the Mexican Stock Exchange. She is co-founder of Polisplexity LTD, where she develops automated systems to support small and medium-sized enterprises in producing sustainability and equity reports. A member of the Arte+Ciencia collective, she is currently researching the history, philosophy and representation of breast cancer, with an emphasis on the invisibilization of women in knowledge production.

  1. Gabriela Aceves-Sepúlveda

Multidisciplinary artist and historian specializing in feminist art and new media. She is Associate Professor in the School of Interactive Arts and Technology at Simon Fraser University, Canada, and Director of cMAS, a research-creation studio. She is author of Women Made Visible (2019) and co-editor of Diffracting the North (2025). She has published widely on Latin American art, feminisms, artistic production networks and art-archival practices. Her multimedia work includes video installations, generative art and performance exploring the body as cultural and gendered space. She is a member of the collective Art/Mamas and several committees promoting women in the arts.
https://criticalmediartstudio.com/gabriela-aceves-sepulveda/

  1. Gemma Argüello

Mexican philosopher and curator. Her research addresses aesthetics, ethics, politics and feminisms, with emphasis on digital art and the philosophy of film. She is a Level 1 member of the National System of Researchers and has published in academic and cultural media. She has collaborated on recent curatorial projects such as Coordenadas móviles at the Museo de Arte Carrillo Gil. She currently teaches at UNAM and UAM.

  1. Ilana Boltvinik

Mexican visual artist and theorist, co-founder of the collective TRES (2009), dedicated to transdisciplinary artistic research. Her work addresses themes such as waste and public space, exploring their political and material dimensions. She is a researcher at the Institute of Plastic Arts at the University of Veracruz and teaches at SOMA. She has received awards including the Robert Gardner Fellowship at Harvard University and the Pollock-Krasner Foundation grant. Her work has been shown in over 30 solo and 40 group exhibitions across the Americas, Europe and Asia.

  1. Julia Carrillo

Multidisciplinary artist and mathematician. Her works arise from questions about how we perceive the world and the tools we have built to observe, understand, investigate and represent it. Her practice spans photography, sculpture, installation, architecture and performance. She is a member of the National System of Creators and collaborates with scientific institutes such as the Institute of Science and Technology of Austria and the UNAM Institute of Astronomy. She has participated in international residencies including MMCA Korea, Art Omi and IST Austria, and has exhibited in multiple countries.
https://www.juliacarrillo.mx/

  1. Leena Lee

Leena Lee is an atmosphere artist, researcher and designer. Her work explores how we attune affectively to environments through embodied affective experience and tonal studies of light and sound. Her interdisciplinary practice links sound ecology and the philosophy of nature. She holds a PhD in Art History from UNAM and is part of the duo Bosque Vacío, whose work is included in the National Sound Archive of Mexico. She hosts the programs Sin Superficie (Radio Nopal, MX) and The Weight of Atmosphere (ROVR, UK), and has recently participated in festivals such as Momentum 13 (NO), Tsonami (CL) and Lips#2 Hydra (FR). She has exhibited nationally and internationally and has contributed to publications on philosophy, design and sound art, including Atmosphere of Sound: Sonic Art in Times of Climate Disruption (UCLA), Ideas Sónicas (CMMAS) and Aural (Tsonami Ediciones).
https://www.leenalee.net/ | https://www.bosquevacio.net/

  1. Leslie García

Leslie García is a sound artist and developer of electronic art and digital media, merging art and technology through virtual tools, electronic prototypes and generative code. Co-founder of the bioart collective Interspecifics and member of Astrovandalistas, she has been a researcher at Bauhaus Weimar and Escola de Belas Artes in Rio de Janeiro. She coordinated at the Digital Culture Center in Mexico City and has received DAAD and FONCA grants for electronic media projects. Her work has been exhibited at international festivals such as Ars Electronica, Medialab Prado and Transmediale. As a music producer she performs under the aliases Microhm, LogarDecay and LatamTapes.
https://lessnullvoid.cc/content/

  1. Lorena Mal

Interdisciplinary artist living and working in Mexico City. Her work integrates various methods of recording, archiving and collaboration among communities, territories and disciplines to examine relationships between memory, the body and the environment, focusing on the geopolitical, paleobiological and climatic forces that shape cultural, material and performative expressions.

She has exhibited at the Armory Center for the Arts in California; Meinblau in Berlin; Museo Jumex, MUCA Campus and the Museum of Modern Art in Mexico City; Museo Amparo and the Museo Regional Mixteco Tlayúa de Paleontología in Puebla, among others. Mal is co-founder and co-director of Fundación op.cit., a nonprofit organization that connects local and international artistic communities through exhibition programs, residencies, interdisciplinary dialogues and editorial projects. She is currently a member of the National System of Creators.
https://www.lorenamal.com/

  1. Lucía Rodríguez

Lucía R (Mexico City, 1988) is an artist and researcher. Her practice explores relationships between human, non-human and more-than-human bodies that intertwine across different scales—from the intimate to the geopolitical. Through diverse artistic languages, she investigates assemblages and resonance networks emerging in everyday life from a political-affective dimension, proposing ways to make these relations visible or to disrupt them in order to challenge hegemonic notions such as functionality and other power logics that shape bodies.

She is currently developing (Li)temia, a long-term artistic investigation that positions lithium (Li) as the catalyst of a relational map of agents coinciding with this element, both as an energy resource and as a psychiatric salt. Lucía trained in Economics at CIDE and in Artistic Research at UNAM, with research stays in Barcelona and Portugal. She has presented her work in museums, festivals and academic spaces nationally and internationally. She is co-curator of the Murmuro sound and listening festival and a member of the collective platform Nuube.
https://luciar.cargo.site/about

  1. MAGENTA

Researcher, designer/artist and transdisciplinary educator at Universidad Anáhuac. She holds an MA in CyAD and is currently a doctoral student in Communication and Politics at UAM. Her work spans speculative art and design, live coding cinema, sound art, underground noise, wearable art, DIY biosensors/devices and experimentation with AR, AI and new materials. She explores code as a plastic material, working from an inter/trans-semiotic perspective. Her pieces invite not only aesthetic experience but also philosophical reflection.

She designs and develops DIY software and hardware prototypes not for functional purposes but as artistic work. Conceptually, she draws from critical theory, deconstruction, posthumanist critique (present and possible futures), systems theory and chaos theory. She is part of PosthumanArtNetwork and Foreign Objekt, initiatives led by Sepideh Majidi. Her work has been presented in national, virtual and international spaces.
https://www.instagram.com/posthumanartnetwork/
https://intersticiomorfogenicoentredospielessoy.wordpress.com/author/mokcah/

  1. Malitzin Cortés (CNDSD)

Digital artist, programmer and Mexican composer who merges experimental music, sound art and technology. Her transdisciplinary work explores algorithms, artificial intelligence and generative art to create immersive audiovisual experiences. Under the alias CNDSD, she develops interactive installations and performances that challenge boundaries between art and code. She has participated in international electronic art and new media festivals. Her innovative approach positions her as a leading figure in Mexico’s digital art scene.
https://www.cndsd.xyz/

  1. María Antonia González Valerio

PhD in Philosophy from UNAM with postdoctoral studies in aesthetics. Full-time professor at UNAM’s Faculty of Philosophy and Literature. Her research lies in ontology-aesthetics and in the interdisciplinary line of arts, sciences and humanities, specifically in art that uses biological media. She directs the research-creation group Arte+Ciencia (Partir del pensamiento inmanente), which brings together artists, humanists and scientists to work interdisciplinarily through graduate teaching, theoretical research, outreach, artistic creation and exhibitions.
https://www.magonzalezvalerio.com/

  1. Minerva H. Trejo

Transdisciplinary artist, curator, director, producer and social activist. A member of the National System of Art Creators (2010–2018), she directs the company Bioscénica, dedicated to producing proposals that combine art, science and technology with the humanities through both exhibition and performance. In 2024 she directed Empatía 7 / Cenestesia: anthropología de las sensaciones.

She is part of the Arte+Ciencia research-creation group at UNAM, the Talauma Collective (with Vivian Abenshushan and Andrea Fuentes) and serves as Producer and Artistic Director of projects such as Mitocondria: inmersión en el linaje materno and Mosaico genético en México: una mirada desde las artes. She has produced and curated the FACTT Transdisciplinary & Trans-National Art & Science Festival (2021), NFestival (2018), Transpiksel (2016), Efusión (2015), Liveness (2012), and numerous telematic and interdisciplinary projects dating back to the 1990s.

She belongs to the collective Xochimilcas Disidentes, dedicated to rebuilding social fabric through art and culture with emphasis on socio-affective processes.
http://minerva.org.mx/ | https://www.bioscenica.mx/

  1. Mónica Nepote

Writer, editor and cultural manager, a key figure in electronic and experimental literature in Mexico. Since 2015 she has directed the e-Literature project at the Digital Culture Center. Her work intersects poetry, essay, performance and interactive technologies, with emphasis on body, voice and gender. In 2024 she won the Xavier Villaurrutia Prize for Las trabajadoras, a book that articulates a poetics and politics of care. She has been central to promoting new forms of writing through digital platforms.

  1. Myriam Beutelspacher

Transdisciplinary artist and researcher specializing in digital performance. She holds an MA in Electronic Arts and is a doctoral candidate in Art and Technoaesthetics. She develops works and interfaces that fuse body, technology and sensory narrative. She co-founded BIOSCÉNICA and the TRANSLAB line at CMM/CENART, and has created bioart, telepresence and live-media pieces. In 2024 she presented her retrospective Taumaturgias digitales in the virtual Luis Nishizawa Gallery (FAD-UNAM). She is currently developing Cristalino e-performances within the National System of Art Creators, focused on geological technopoetics.
https://m-y-r-i.net/bio-cv/

  1. Paola Everardo

PhD in Anthropology from UNAM. She has conducted research across various Mexican states on biological and cultural diversity. In parallel, she has promoted science communication and public engagement initiatives. In 2017 she created the exhibition Genómica y Evolución Humana with the Molecular Genetics Laboratory at ENAH (INAH Michoacán). In 2019, with support from CONACYT’s Social Appropriation of Knowledge program, she produced Huesos y Moléculas. Relatos de la Evolución Humana at the Tepexpan Museum. Her main interest is making specialized information accessible. She is currently part of the Graduate Program in Genomic Sciences at the Autonomous University of Mexico City.
https://www.uacm.edu.mx/…/paola_everardo

  1. Paz Sastre

Holds a BA in Philosophy from the Autonomous University of Madrid and a PhD in Communication and Film Studies from the Complutense University. She is a Professor in the Department of Arts and Humanities at the Autonomous Metropolitan University, Lerma Unit, where she coordinates the Academic Area of Studies in Art, Science and Technology. She is a member of the scientific association ICONO14, the Artificial Intelligence and Digital Rights Network (SECTEI) and is on the editorial board of Teknokultura.

Her work focuses on the aesthetic and political dimensions of digital culture through critical studies and media archaeology. She has participated in independent projects such as Laboratorio del Procomún México, La Mediateca del Pueblo Huichol (with Conservación Humana A.C.), and Memora, reactivating the archive of Ana Victoria Jiménez (feminist art and activism, 1970–1990). She currently works on recovering internet-related manifestos, available at https://manifestos.directory/, and edited Manifiestos sobre el arte y la red 1990–1999 (EXIT, 2021).

  1. Rossana Lara

Musician, PhD in Musicology from UNAM, academic and curator specializing in sound art and electronic and transmedial practices in Latin America. Her research intersects contemporary music, media anthropology and political sound ecology. She has presented work at ICMC, Huddersfield and Cornell. Since 2012 she has created performance pieces, urban interventions, sound cinema and electroacoustic works. She was curator of Modos de oír (2018) and co-editor of Defensa de territorio, ecología política y diálogo de saberes (2020).

  1. Sandra P. González Santos

Independent researcher with studies in psychology (BA, UIA), science communication (MA, University of Bath) and science and technology studies (PhD, University of Sussex). She has twenty years of teaching experience in communication, art, nutrition, bioethics, philosophy and inter-/transdisciplinary research at Universidad Iberoamericana, Claustro de Sor Juana and the National Center for the Arts. She has over two decades of experience studying reproductive biotechnologies, food systems and critical pedagogies.

She is author of A Portrait of Assisted Reproduction in Mexico (Palgrave Macmillan, 2020), based on ten years of ethnographic work in Mexico’s assisted reproduction system. Her current research focuses on food and educational systems in contexts of apocalypse, catastrophe and ruin.

  1. Sandra Romero

Dr. Sandra Romero Hidalgo holds a degree in Actuarial Science from UNAM, an MA in Biostatistics from the University of Waterloo (Canada), and a PhD in Biomedical Sciences from UNAM. She is a researcher at INMEGEN and a member of the National System of Researchers, with 50 scientific publications. Her work has focused on population genetics and, more recently, on the effects of mind–body techniques on health. She leads the scientific component of art–science projects such as Mosaico genético en México and Mitocondria / inmersión en el linaje materno.
https://mitocondria.org/team/sandra-romero-hidalgo/

  1. Sandra Ulloa

Visual and media artist, co-founder of the collective ULTIMAESPERANZA and of the LUMEN Encounter in the Magallanes region. She co-directs LIQUENLAB, where she develops curatorial work, workshops and talks. Her work intervenes in extreme territories through monumental projections and soundscape listening, exploring identity, ecology and the decolonization of archives. She has received multiple Fondart grants. In 2021 she founded AULA LIQUEN, a counter-educational art space for diverse childhoods.
https://liquenlab.cl/

  1. Sofía Falomir

Holds a PhD and MA in Philosophy from UNAM and a BA in English Literature from University College London. Her research crosses philosophy, literature and animal studies, with emphasis on aesthetics and the philosophy of nature in Deleuze. She is a professor at UNAM’s Faculty of Philosophy and Literature, where she teaches aesthetics, nature and ecocriticism. She is part of the transdisciplinary group Arte+Ciencia, collaborating on curatorial and interdisciplinary projects. Her work explores relationships between art, thought and non-human life.

  1. Susana Chau

Cultural manager, curator and transdisciplinary creator dedicated to the intersections between media arts, situated technologies and community practices. Based in southern Chile, she has fostered collaborative processes linking artistic research, critical thought and exercises in fabulation to understand and transform the territories she inhabits.

As a member of Toda la Teoría del Universo, she has contributed to experimental mediation models, artistic residencies and educational platforms that integrate technical, sensorial and community knowledge. Her practice is informed by cosmo-technics, systems theory, cybernetics, critical technology studies and territorial epistemologies, which she articulates with concrete experience in cultural management and interdisciplinary creation. She has co-designed and coordinated educational programs, creative residencies and encounter spaces that weave together different knowledge systems and methodologies emphasizing listening, collective making and experimentation as tools for thought.
https://todalateoriadeluniverso.org/
https://www.instagram.com/_todalateoriadeluniverso/
https://www.instagram.com/robot_infame/

  1. Tania Aedo

Specialist in Art, Science and Technology. She studied Artistic Education at the Superior School of Art of Yucatán and Visual Arts at the National School of Plastic Arts, UNAM. She was Director of Laboratorio Arte Alameda and the Multimedia Center at CENART. She has been a grantee of FONCA and the Rockefeller–Ford–McArthur Foundation. She has been a speaker at international forums such as ISEA, RePerCuTe at UCLA and Artechmedia in Madrid. She has contributed to publications including Tekhné: Arte, pensamiento y tecnología (Conaculta, 2003). In 2010 she joined the High-Level Museum Management Program. She is currently Coordinator of the Max Aub Chair in Transdisciplinary Art and Technology at CulturaUNAM.

  1. Tania Ximena

Visual artist and filmmaker whose work emerges from long-term field research. In 2022 she joined Mexico’s National System of Art Creators. She has exhibited individually and collectively in museums such as MASP (São Paulo), Ex Teresa Arte Actual, Museo Amparo, the Museum of Modern Art (Mexico City), Museo Jumex and Museo Carrillo Gil, as well as in biennials including Bienal Sur (Argentina), the Orleans Architecture Biennial (France) and Bienal SIART (Bolivia).

She received three FONCA Young Creators grants and two IMCINE awards for script rewriting and for production. Her debut feature Pobo’Tzu’ (Noche Blanca) won awards including the Grand Jury Prize Kaleidoscope at DOC NYC and the Fósforo Film Critics Award at FICUNAM. She was part of the Tenth Colombian Antarctic Expedition, filming material for her video installation and short film La Marcha del Liquen on the Antarctic continent. She is co-founder of apecs-México and Aljuir Audiovisual.
https://www.instagram.com/taniaximena/

  1. Viviana Díaz

(Mexico – Colombia) Her artistic practice seeks encounters between “technology, memory and mythology,” questioning the idea of “technological evolution and historical evolution” by reclaiming the value of the ancestral. This exploration materializes in textile collage, robotic installations, video and experimental cinema, among other media. Ultimately, her work investigates symbolic potential and the experience of wonder.
https://vimeo.com/vivianadiaz

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